As Year 12s move towards final exams and we end term 3, I thought I would remind you all that- Marks Matter but Making a Difference Matters More.
You see, there are people in this world who become famous. Maybe one day you’ll be one of them.
There are people who become wealthy. Maybe one day you’ll be one of them too.
And then there are those rare individuals who understand that neither of those things matters unless they are used to make a difference.
And the rarest of them are those who make a difference to those most in need.
Funnily enough, one of those rare people was the person who helped make WWE wrestling what it is today. Not Mr McMahon, but the wrestler who made WWE a global phenomenon—Hulk Hogan.
Yes, I understand you may know more about John Cena, Cody Rhodes or The Rock, but the person who started it all, who made WrestleMania what it became, was Hulk Hogan.
The Hulkster, as he was called, was, without question, one of the most recognisable people on the planet when I was a boy.
Stadiums roared his name. Cameras followed his every move. He had everything—fame, money and influence. Andy Warhol, Ice Cube, Dennis Rodman and Muhammad Ali all admired him.
Even the current US President, Donald Trump, once famously said he owned a pair of Hulk Hogan underpants. Fact. But I’m not sure if I can believe him.
But what truly defines a person is not what they have, or the famous people they socialise with.
No.
It’s what they do when no one is watching.
What many people don’t know is that this comical wrestler, this bronzed, blonde-haired show pony of an entertainer, time and time again showed up—not for the spotlight, not for applause, not for money—but for children who were fighting battles far greater than anything ever seen in a wrestling ring.
They were fighting for their lives.
You see, Hulk Hogan was idolised by millions, but some of his greatest fans were children with disabilities. Through incredible organisations such as Make-A-Wish, he gave them something far more powerful than an autograph or a photo.
He gave his time.
He gave his presence.
He gave them hope.
Imagine being a child facing a terminal illness, living with uncertainty and fear…
And then, suddenly, the one person you dream of meeting walks through the door.
A seven-foot, blonde-haired superhero.
Not on a television screen.
Not in a highlight reel.
But right there in front of you—smiling, listening, caring and fully present.
This happened time and time again.
Before main events, before WrestleMania, I remember seeing stories like this.
One in particular has always stayed with me.
There was a young boy in a wheelchair, living with terminal cancer and spina bifida.
Hogan—the wrestler, the entertainer, the “circus performer”, as some would dismissively call him, the man some claimed was nothing more than a seven-foot clown—insisted on honouring his commitment to spend time with hundreds of children with life-threatening illnesses before heading to the biggest match of the night.
When he saw the little boy, he didn’t hesitate.
He walked over, smiled and said,
“Hello, big man.”
The little boy smiled from ear to ear.
Rather than towering over him, Hulk sat down beside him.
Remember, the boy was already sitting.
He was in a wheelchair.
He had terminal cancer.
Hulk didn’t allow an awkward silence to develop.
Instead, he said,
“I’m scared about my match tonight.”
The little boy looked surprised.
“What are you scared about?” he asked.
Hulk replied,
“I don’t know. I might not win. What should I do?”
The little boy quietly answered,
“Do your best.”
Right then, in that very moment, it didn’t matter to me how many championships Hulk Hogan had won.
It didn’t matter whether wrestling was real.
It didn’t even matter whether I liked WWE.
What mattered was that he cared.
What mattered was that he chose to be there.
Hulk Hogan chose to engage with and care for those who needed it most.
Right then, to me, he became a hero.
Because the truth is this:
Greatness is not measured by how loudly the crowd cheers for you.
Nor is it measured by your possessions, your profession, your title, your pay cheque, your social circle or your so-called friends.
No.
It is measured by how quietly you show up for others.
Hulk Hogan understood something many people never do.
Making a difference doesn’t require perfection.
It requires intention.
No matter how rich he became, no matter how famous he was, he never allowed those things to become barriers.
Instead, he used them as bridges.
Bridges to connect.
Bridges to reach people who needed to be seen, who needed a moment of joy, who needed hope.
By caring, he helped them believe that the world—and other people—still cared too.
And that is the lesson for me.
We may never stand in arenas filled with thousands of cheering fans.
We may never have millions of dollars.
We may never have merchandise with our names on it.
Donald Trump might not wear underpants with our face on it.
But every single one of us has the ability to change someone’s day.
Every one of you has the ability to change someone’s outlook.
Every one of you can choose to make time for someone else.
And you can do it today at XXX.
You have the same ability as Hulk Hogan.
Offer a kind word.
Share a smile.
Learn an Auslan sign.
Support someone who needs it.
Take a moment to genuinely care.
These things matter.
Because, at the end of it all, people won’t remember how strong you were or how powerful you became.
No.
They will remember how you made them feel.
So the challenge is simple.
Use what you have.
Give what you can.
Show up when it matters.
And start today.
Because making a difference isn’t reserved for the famous—
Two former dancers for Shen Yun Performing Arts, the traditional Chinese dance company, filed a lawsuit on Thursday accusing the group of amassing a financial fortune and worldwide renown by subjecting an “army of child laborers” to brutal working conditions and psychological coercion.
The lawsuit by the former dancers, Sun Zan and Cheng Qingling, is at least the second civil action targeting the group and its leaders since The New York Times last year detailed the treatment of performers and financial practices at the arts company, an arm of the Falun Gong religious movement.
Advertising a glimpse into “China Before Communism,” Shen Yun performs hundreds of shows a year featuring acrobatic routines by performers in billowy outfits. The group also serves as a messaging platform for Falun Gong, promoting the teachings of its founder, Li Hongzhi, and portraying the Chinese government, which has banned and persecuted his followers, as evil.
Shen Yun accumulated $266 million in assets by 2023, the lawsuit says, while performers worked up to 15 hours a day in training and on a “crushing” tour schedule for little pay.
“The child laborers were paid generally no more than $500 a month — less than the price of a pair of orchestra seats at this year’s Lincoln Center performance,” according to the lawsuit, which was filed in federal court in Manhattan.
Representatives for Shen Yun and Falun Gong said in a statement that the allegations “are false and present a distorted picture of our organization, our mission, and our faith.”
“We operate with integrity and are committed to upholding the highest artistic and ethical standards,” said the representatives, Ying Chen for Shen Yun and Levi Browde for Falun Gong. They said Shen Yun uses both professional, salaried performers and students following a state-approved curriculum. And they said that a few former performers were spreading a false narrative pushed by the Chinese government while many more performers and their families have defended Shen Yun.
Mr. Sun and Ms. Cheng, who married after leaving Shen Yun and now live in New Zealand, were featured in The Times’s coverage. Each had parents who were adherents of Mr. Li, who teaches that people can attain enlightenment in part by following his regimen of meditation and exercises and has implied that he created the universe.
Mr. Li started Shen Yun in 2006 and expanded it rapidly at Dragon Springs, his movement’s 400-acre headquarters located northwest of New York City.
The suit describes Mr. Li as “the mastermind of the entire forced labor scheme,” naming him as a defendant along with his wife, Li Rui, and two schools that Mr. Sun and Ms. Cheng say were used to create the “pretext” of educating performers. Ms. Chen and Mr. Browde said the schools provide a quality education and their students excel.
The lawsuit accuses Shen Yun of forced labor, human trafficking and other violations of the Federal Trafficking Victims Protections Act, seeking damages for physical and psychological injuries. One of the former dancers’ lawyers, Carol Merchasin, has specialized in cases involving abuse in religious and spiritual communities.
Mr. Sun was sent by his parents across the world to Dragon Springs at 15; Ms. Cheng arrived at 13. Their suit described the high-fenced compound as akin to “a penal colony,” with performers confined there through psychological and physical control and their passports locked in a safe. Representatives for the groups said holding passports for safekeeping is normal at boarding schools, and they are returned upon request.
Performers had a “dreadful existence” of six-day work weeks full of training and religious practice, the suit says, and just two or three hours of classroom time per day. Instructors allowed Mr. Sun to cheat on exams and sleep in class because of the priority given to training, the suit says.
Humiliation and violence were commonplace, the suit says: “A late-arriving child laborer could expect to have an instructor’s shoe strike their head moments after walking in.” They were told such treatment “was an indication of talent, and so they should be thankful for being beaten.”
Leaders instilled fear by shaming rule-breakers at schoolwide assemblies. Around 2011, a school principal berated Ms. Cheng’s roommate for looking at pornography when she had actually been reading Japanese comic books known as manga, the lawsuit says.
Like other performers, Mr. Sun and Ms. Cheng said they performed through injury and without medical treatment. Mr. Li teaches that only faith can purge the body of illnesses.
Mr. Sun suffered internal bleeding when an instructor told other students to force him into a side split; he had to hold that position for 10 minutes a day for three months and has scarring on his legs, the suit says.
After Ms. Cheng suffered a training injury that made her left arm go numb, Mr. Li ordered a school principal to meditate with her rather than arranging treatment; she has permanent damage to her shoulder, the suit says.
Michael Rothfeld is an investigative reporter in New York, writing in-depth stories focused on the city’s government, business and personalities.
What will become of The Epoch Times with its chief financial officer accused of money laundering?
Weidong “Bill” Guan, the chief financial officer of The Epoch Times, has been charged with steering $67 million in criminal proceeds to the media outlet, its affiliates and himself.
Guan has pleaded not guilty but was suspended by the media company.
The Epoch Times, founded in 2000, is a newspaper that is available in 23 languages. The arrest of an executive at The Epoch Times in a money-laundering scheme this week has drawn attention to a media outlet that has lived largely in the shadows since its founding in 2000 and a transformation during the Trump administration.
Federal prosecutors in New York charged Weidong “Bill” Guan of Secaucus, N.J., chief financial officer of The Epoch Times, of steering at least $67 million in criminal proceeds, much from fraudulently obtained unemployment insurance benefits, to the company, its affiliates and himself. Guan pleaded not guilty but was suspended by The Epoch Times, which agreed to cooperate with prosecutors.
The case calls into question the future of a company that was a key online supporter of Trump and spreader of conspiracy theories.
WHAT IS THE EPOCH TIMES?
Started first as a newspaper, the company produces news websites and videos, and is now available in 23 languages. Its founder, John Tang, is a Chinese-American who practices Falun Gong, a form of meditation and exercise. The Chinese government has denounced, banned and, according to members, has consistently oppressed and mistreated Falun Gong followers.
While the outlet has sought to distance its operations from the Falun Gong movement itself, the company has said it “sees the Chinese Communist Party’s persecution of Falun Gong practitioners, and the remarkably heroic ways in which practitioners have responded to the persecution, as one of the most underreported stories of the last 20 years.”
It is by no means a one-issue news organization, and the lead story on its website Wednesday was about U.S. political primaries the night before. But The Epoch Times does frequent and tough reporting on the Chinese government; stories on its website Wednesday included an opinion piece on the origins of the COVID virus and a look back at the Tiananmen Square massacre on its 35th anniversary. The site also prominently touts a book by Falun Gong founder Li Hongzhi.
The Epoch Times says that “our aim is not to force our perspective on you, but to give you the information you need to make up your own mind.”
HOW DID THE EPOCH TIMES CHANGE?
The Epoch Times website currently has testimonials from Trump administration figures Peter Navarro and Sebastian Gorka and U.S. Rep. Paul Gosar, a Republican from Arizona.
That’s a clue. The news organization transformed itself during the Trump years by becoming a site that the supported the former president and his causes. It was opportunistic in two ways: leaders saw in Trump a president they believed would fight against the Chinese government, and sensed the chance to win funding from others who believe in the cause, said A.J. Bauer, a University of Alabama professor who studies conservative media.
In a few years’ time, the outlet became a partisan powerhouse and “has also created a global-scale misinformation machine that has repeatedly pushed fringe narratives into the mainstream,” The New York Times reported in 2020.
It embraced various conspiracy theories, many surrounding COVID. The Epoch Times and affiliates advanced the false story that the Obama administration spied on Trump’s 2016 campaign and spread theories promoted by the QAnon conspiracy site and claims about voter fraud.
The Epoch Times was particularly aggressive on Facebook through advertising and the creation of different pages that guided social media users to their content. Following an investigation by NBC News, the social media giant in 2019 banned pro-Trump advertisements produced by the outlet for violating its ad policies.
The indictment doesn’t specifically say that these pro-Trump efforts were funded through the alleged criminal scheme. But it was around this time that money was pouring in. The Epoch Times reported nearly $128 million in revenue for 2021, a stunning increase from $4 million in 2016, according to a federal financial disclosure. The turnaround caught the eye of banks, regulators and, eventually, federal prosecutors.
Much of the money came in through the company’s “Make Money Online” team, run by Guan, according to the federal indictment. Guan has claimed the windfall was due in part to an increase in subscriptions and donations, the indictment said.
WHAT DOES THIS MEAN FOR THE EPOCH TIMES’ FUTURE?
Guan is the only one charged by prosecutors. But the indictment states that “others known and unknown” were aware of what was going on, raising questions about whether anyone else at the company might be drawn in and what this might mean for The Epoch Times’ future. The company didn’t immediately respond to a query on the topic.
Given the action taken against the company by Facebook in 2019, it’s questionable whether the playbook used before has relevance for the 2024 campaign. Some avenues for reaching people have undoubtedly closed because the social media site has been deemphasizing news and political content, Bauer said.
Conservative figures certainly noticed the work put in by The Epoch Times on behalf of their causes. Despite that, the outlet has had surprisingly little influence, said Howard Polskin, who monitors conservative media for The Righting website.
“They don’t seem to be driving the news agenda in right wing media,” Polskin said. “I don’t think right-wing media is paying much attention to what they are doing.”
Bauer agreed. The Epoch Times’ influence seems largely confined to people for whom opposing the Chinese government is a main cause, he said.
“They’re having a hard time, just like everybody else in the media, in finding an audience at this moment,” Bauer said. “I don’t think there’s too many people calling up The Epoch Times on their computer with their morning coffee to see what they have to say.”
The New York State Department of Labor has opened an inquiry into the global dance group and its treatment of the children and teenagers who stage its shows worldwide.
For years, New York labor regulators stood by while a prominent dance company headquartered in the state relied on children and teenagers to stage shows worldwide, earning tens of millions of dollars per season but offering little or no pay to the underage performers.
That changed in recent months when the State Department of Labor opened an inquiry into the group, Shen Yun Performing Arts.
The agency, which is tasked with enforcing laws on child labor, overtime and the minimum wage, declined to specify what it was examining. But the inquiry was opened following questions from The New York Times, which in August documented numerous instances of what legal experts and former performers describe as questionable labor practices by the group.
Shen Yun, which is operated by the Falun Gong religious movement from a guarded, 400-acre campus in Orange County northwest of New York City, requires its performers to keep grueling tour schedules and train under abusive conditions, former performers have said.
Many of its young dancers and musicians were the children of ardent Falun Gong practitioners and had traveled from overseas to enroll in school at Shen Yun’s headquarters, Dragon Springs. They received full scholarships, plus room and board, and were told performing was part of their studies. Many received no pay in their first year on tour.
“It seems like it’s perfectly reasonable,” said Eugene Liu, a violinist who said he performed in 200 Shen Yun shows over two years starting at age 15 but never received more than $300 a month. “But if you then consider the fact that these are all people with no ability to negotiate any kind of labor, wage situation, then I don’t know how this stands up.”
ndeed, Shen Yun appears to have spent years violating a state law designed to protect underage performers, The New York Times has found. The law requires performance groups to obtain state certification before using performers who are younger than 18, and it requires those performers to have work permits.
The law also governs working hours, rest time and education, including provisions for employers to provide time during the workday for academic instruction. And it specifies that 15 percent of a performer’s earnings go into a trust account, though it doesn’t address whether or how much the performers should be paid.
Former Shen Yun performers said their schooling during months on tour largely consisted of writing in journals between shows or filling out homework packets. They were not aware of having work permits or trust accounts.
The law does offer an exemption for performers “in a church, academy or school, including a dancing or dramatic school.” But Michael Maizner, an entertainment lawyer who specializes in labor issues, said that exemption would apply to something like a school pageant or choir, not a professional tour group such as Shen Yun.
Shen Yun has used underage performers for nearly 20 years but had not been certified before applying in late September, representatives of the Labor Department said. The application was approved, and Shen Yun must now give the department a 30-day notice if it plans to use children in a performance in New York State, officials said.
Shen Yun’s leaders have strenuously defended their labor practices. They denied breaking any laws and said that the youngest performers are not employees but students who receive a learning opportunity and often get a stipend.
“The vast majority of students will tell you this is their dream come true, and the parents rave about the positive changes in their children,” Shen Yun’s representatives, Ying Chen and Levi Browde, said in a statement.
They said that the students “are not employees under the factors authorities use to define those terms under federal law.”
“Therefore,” they said, “the allegations that they are not treated properly as employees are denied.”
It is not unusual for performing arts groups to pay students and novice performers nominal amounts. But few, if any, such groups rely on them to the extent that Shen Yun does, The Times found.
Combining elements of acrobatics and ballet, the group had eight troupes that collectively performed more than 800 shows on five continents during its most recent season.
Former dancers and musicians said individual troupes could perform more than 100 shows per season and that no troupe employed enough professionals to stage a show without student performers — an assertion Shen Yun’s representatives disputed.
Evan Glickman, a percussionist, spent two years with Shen Yun starting at age 24 and was paid about $35,000 a year, he recalled. In his troupe, about two-thirds of the musicians were students, he said.
Evan Glickman, a percussionist who used to play with Shen Yun’s orchestra, said the group relied heavily on student performers.Credit…The New York Times
“The students did everything,” said Mr. Glickman, who quit the show in 2016, exhausted by its rigorous touring schedule. “That place would not run if they had to pay real musicians, like every other organization in the country does.”
Former performers told The Times they worked from early morning until close to midnight while on tour. The young performers carried and set up heavy equipment, rehearsed, performed up to two shows a day and spent hundreds of hours on cross-country bus rides, according to former performers and written schedules.
A tour schedule from December 2016 showed that one Shen Yun troupe was slated to perform or travel on nine consecutive days without a break, including a 17-hour bus trip from Michigan to Texas.
A former Shen Yun bassoonist, Andreas Spyropoulos, recalled leaving a venue after a show and driving through the night toward another city, only to stop at a motel where multiple people had to sleep in each room.
Others said male performers were sometimes told to stay on the tour buses in overnight shifts in case Chinese government agents tried to sabotage the vehicles. (Falun Gong, a religion that is banned in China, has been persecuted by the Chinese government for almost three decades.)
Shen Yun’s representatives said the accounts described in this article were “extreme” examples that were “well beyond day-to-day norms in terms of hours, duties, travel schedules, etc.” They added that it was “quite rare” and voluntary for performers to guard the bus.
In a YouTube video posted last year, a current Shen Yun dancer, Sam Pu, described the arduous touring schedule as a positive.
In the video, Mr. Pu narrated a full day of work, starting in his hotel room around 7:30 a.m., continuing through a performance and ending back at the hotel at 11:20 p.m.
“I know my schedule looks really tiring,” Mr. Pu said, “but the thing is, I find it very meaningful that I am able to share the values of my culture with people all around the world.”
In a text message, Mr. Pu told The Times that he has never felt forced to do anything as a performer for Shen Yun and gets plenty of breaks to relax while on tour.
“It’s also worth mentioning that, unlike some other dance companies where artists have to cover their own travel and lodging or even take on side jobs just to make ends meet, Shen Yun covers everything for us,” Mr. Pu said.
Aside from the demanding schedules for student performers, Shen Yun stands apart from other large dance groups for the amount of money it has amassed while paying relatively small sums to its performers. In its most recent tax return, the company reported assets of more than $265 million.
The American Ballet Theater in New York City had only a fraction of that amount in recent years, tax records show. But its apprentices earn a starting pay of $986 per week under its contract with the American Guild of Musical Artists. The performers were also eligible for overtime, a benefit that former Shen Yun performers said they did not receive.
Although Shen Yun’s practices have been in place for years, the State Labor Department did not open an investigation — because the agency had never received a formal complaint, officials said. They declined to comment on why they opened the current inquiry.
The Labor Department has been cited in the past for inadequately enforcing the child performer laws.
In 2017, an audit by the New York State comptroller’s office found that the agency had taken a “reactive” approach of investigating only based on complaints.
“Complaints are less likely to come from children,” the auditors said, “particularly if both the parents/guardians and employers violate the law.”
The Labor Department disputed the audit’s findings and methodology at the time. In a statement this month, an agency spokesman said that since 2023, the department had conducted six proactive child labor sweeps and initiated more than 1,300 child labor investigations. He added that the department encouraged “workers of any age who believe their rights were violated to file a complaint.”
Legal experts say there are exceptions to state and federal minimum wage laws related to students, apprentices and volunteers. Shen Yun has often paid its student performers less than minimum wage, former dancers and musicians said.
“My suspicion is that they are treating these children and young people, even if they’re not minors, as maybe volunteers, maybe apprentices, and they’re using that as justification for not paying them,” said Michael Minkoff, an employment lawyer in Manhattan. “That doesn’t mean it’s legal by any stretch of the imagination.”
Chang Chun-Ko, a former Shen Yun dancer, moved to Dragon Springs from Taiwan at 13 and was paid around $500 a month when she started performing as a student, she said.
Chang Chun-Ko, a former Shen Yun dancer who joined the group as a child, worked at least 65 hours a week.Credit…The New York Times
In 2019, Shen Yun hired Ms. Chang, then 23, as a professional dancer. Her employment letter said she would be paid $1,000 a month to work 25 hours a week. Ms. Chang said she actually worked at least 65 hours a week.
Since Falun Gong teaches that followers should let go of material attachments, talking about money was seen in Shen Yun as a sign of poor devotion, Ms. Chang said. She said she had a feeling that she was paid too little, “but I didn’t dare to ask.”
Susan C. Beachy contributed research.
Michael Rothfeld is an investigative reporter in New York, writing in-depth stories focused on the city’s government, business and personalities. More about Michael Rothfeld
The dance group has accumulated enormous wealth, in large part by getting followers of the Falun Gong religious movement to work for free and pay its bills.
The reporters examined thousands of pages of records, including internal communications, and interviewed dozens of people about the finances of the dance group Shen Yun and the Falun Gong religious movement.
Dec. 29, 2024, 3:00 a.m. ET
Over the past decade, the dance group Shen Yun Performing Arts has made money at a staggering rate.
The group had $60 million in 2015.
It had $144 million by 2019.
And by the end of last year, tax records show, it had more than a quarter of a billion dollars, stockpiling wealth at a pace that would be extraordinary for any company, let alone a nonprofit dance group from Orange County, N.Y.
Operated by Falun Gong, the persecuted Chinese religious movement, Shen Yun’s success flows in part from its ability to pack venues worldwide — while exploiting young, low-paid performers with little regard for their health or well-being.
But it also is a token of the power that Falun Gong’s founder, Li Hongzhi, has wielded over his followers. In the name of fighting communism, and obeying Mr. Li’s mystical teachings, they have created a global network to glorify him and enrich his movement.
Under Mr. Li’s direct leadership, Shen Yun has become a repository of vast wealth for Falun Gong, often accumulating money at the expense of its loyal adherents, a New York Times investigation has found.
It has raked in funds through ticket sales — nearly $39 million in 2023 alone — but also by using religious fealty to command the free labor of its followers. It has received tens of millions of dollars more in ways that may have crossed legal or ethical lines, The Times found.
In one case, Shen Yun and a school that trains its dancers received $16 million from The Epoch Times, a newspaper run by Falun Gong followers, during a period when federal prosecutors said the publication’s accounts were inflated in a money-laundering conspiracy.
Shen Yun and a network of satellite organizations added more wealth by skirting rules to tap tens of millions of dollars in pandemic-era relief money.
And three former Shen Yun performers told The Times that they were used to ferry large amounts of cash into the United States, a possible attempt to circumvent laws about reporting U.S. currency transactions.
Shen Yun has kept its own costs down by wringing countless volunteer hours, and sometimes personal savings, from followers of Mr. Li, who has suggested he created the universe and instructed believers that Shen Yun performances can save people from a coming apocalypse by exposing them to his teachings.
Eager to heed Mr. Li, the followers have borne most of the financial burden for staging hundreds of Shen Yun shows around the world, including paying out of their own pockets to book venues, print fliers, buy advertising and sell tickets — even going into debt to cover upfront costs.
“They all think — including me before — we all think it is an important part of the path to godhood,” said Simone Gao, a former practitioner and Falun Gong media personality. “If you devote time, energy and money to this cause, the reward is incomparable to what you get in this world.”
It was not clear why Shen Yun has amassed so much money, or why nearly all of its assets — $249 million in 2023 — were kept in cash and other liquid instruments. Experts said it was unusual for a nonprofit not to invest such sums unless they were needed for significant short-term expenses, which Shen Yun has not seemed to have incurred.
Shen Yun’s representatives declined to answer questions about its finances. In the past, Mr. Li has said large sums of money were needed to battle the Chinese Communist Party, which has banned the movement and repressed its followers since the 1990s.
“For over 25 years, Falun Gong practitioners have struggled to peacefully resist persecution from the largest totalitarian regime on earth, and Shen Yun is a key part of that effort,” a Shen Yun spokeswoman, Ying Chen, said in a statement to The Times. “Your attempts to brand Shen Yun as a grand moneymaking scheme are shocking and deeply offensive.”
Ms. Chen accused The Times of making “gross distortions or blatant factual errors,” but she declined to elaborate.
As Shen Yun has amassed wealth, its supporters have purchased real estate for Mr. Li’s movement, including Falun Gong’s 400-acre headquarters, known as Dragon Springs, which is about 60 miles northwest of New York City.
They have also subsidized the lifestyle of Mr. Li, now in his early 70s, and his wife, Li Rui, a top manager in Shen Yun.
One follower gave the movement her life savings before dying of cancer, virtually penniless.
In recent years, Mr. Li and his aides have found yet another way to make money through Shen Yun. They have created companies that market products directly to Falun Gong followers, like a Tang Elegance necklace with a spessartite garnet for $3,850, Heavenly Phoenix earrings for $925, a $35 ornament of the Shen Yun tour bus and Shen Yun-branded athleisure clothing.
Practitioners have been told they should purchase the most up-to-date Falun Gong clothing for public events, including a reversible blue-and-yellow jacket for $120.
Business records show that Mr. Li personally started an online video platform that charges $199.99 a year for a subscription to watch Shen Yun performances. His associates also created another video platform, Gan Jing World, which was accused by YouTube in a lawsuit this month of stealing content. The platform has not filed a response to the suit.
Practitioners were urged to subscribe to help “Master” — as Mr. Li is known — save more souls, emails show. Many did just that, former followers said.
“People gave up their life’s savings, and this happened so often,” said Rob Gray, a former practitioner in London who spent 15 years working on Falun Gong projects. “There’s a constant theme now to fleece practitioners, to take money. Where is this profit going to?”
A Winning Strategy
From the start, Shen Yun has pursued a winning strategy for reaping huge profits: It has gotten other people to shoulder the costs of putting on its shows.
Although the group has a stated mission of reviving traditional Chinese culture while “providing audiences everywhere with an experience of beauty,” it does not routinely pay for the billboards, television ads or fliers depicting Shen Yun’s dancers leaping through the air that are ubiquitous in cities around the world. Nor does it generally cover the costs of venues, ticket sales or hotels and meals for performers.
That burden has fallen on a network of smaller satellite organizations that Mr. Li and his aides have encouraged followers to form around the world.
Known as presenters, the organizations were incorporated as nonprofits in the United States, operating in Atlanta, Los Angeles, Philadelphia and other cities.
The nonprofits are staffed by practitioners who work as unpaid volunteers and have agreed to “bear the responsibility for all costs incurred” and be liable for losses, claims “and expenses of every kind and description” related to staging Shen Yun shows in their areas, according to a contract reviewed by The Times.
Every year, the groups collectively spend millions of dollars and keep only enough in ticket sales to cover their expenses, sending every penny of profit back to Shen Yun.
In 2018, a satellite organization in Georgia, the Falun Dafa Association of Atlanta, spent $1,621,011 on advertising, hotel rooms, food, transportation, venue fees and other expenses, tax records show. The group earned $2,077,507, mostly from seven Shen Yun performances in Atlanta. The Atlanta nonprofit kept $1,621,011 and sent the remaining money — $456,496 — to Shen Yun.
If a satellite organization should spend more money than it earns, it still sends money to Shen Yun — and it falls on the people who run the groups to make up the difference.
At the Indiana Falun Dafa Association, local followers made loans to the satellite organization for a decade. In 2018, eight of them lent a combined $375,000 without any loan agreements and at zero percent interest, tax filings show. One of the lenders, the group’s president, handed over $130,000 on his own.
The satellite organization paid Shen Yun $169,233.39 to put on three shows that February, records show, but did not make enough to repay the loans. They appear to have been settled only years later, using government grants.
Inside the local organizations, practitioners can feel immense pressure to deliver for Mr. Li, who has taught that success in selling Shen Yun tickets is an indicator of how devoted they are to his teachings.
He has also urged followers to advertise only in “well-to-do” areas and to set high prices for Falun Gong dance shows.
“Getting things for nothing,” Mr. Li said, “wouldn’t conform to this dimension’s principles.”
Ahead of shows in the San Francisco area, followers would gather on Saturday nights to study Mr. Li’s writings and share how many Shen Yun tickets they had sold, according to a former practitioner who asked to be identified only by her last name, Wang.
Selling as many tickets as possible was seen as a way to accumulate more virtue, she said.
And in London in March 2023, a note of panic crept into an “urgent” email sent by a practitioner named Sharon Xu to other followers in the area. She was seeking their help with leafleting, she wrote, because the show was approaching and thousands of tickets were still unsold.
“We are at a crucial stage in Shen Yun promotion,” she wrote. “Thousands of predestined people whom Master wants to save have yet to connect with us, and there are only literally days remaining this year.”
‘All Her Money Is Gone’
For all the time and money that the operators of the satellite organizations provided, some gave much more to the movement — and to Mr. Li himself.
In 2006, one of Shen Yun’s first performers began traveling from his home in Maryland to Falun Gong’s headquarters along with his sister, also a performer, and their mother, a devoted practitioner. Soon, they all moved to Dragon Springs, known among followers as the mountain, to focus on dancing.
The man, whom The Times is identifying by his first name, Liang, and his sister eventually left Shen Yun and moved away. But their mother remained on the mountain, working unpaid for years as a top aide to Mr. and Ms. Li and as a bookkeeper for the dance group.
She left the area only rarely, such as for Liang’s wedding in 2014, he would later write in an email to friends. That same year, she and her husband sold the house they had owned in Maryland since the 1980s for $485,000, records show.
Soon after, she began spending money for Shen Yun, her family would later learn. After Mr. Li remarked that Shen Yun’s orchestra should use only the best pianos, Liang’s mother arranged for the purchase of $260,000 in premium models, according to another email her son sent and other records reviewed by The Times.
Other gifts and donations followed, including thousands of dollars in payments for Wi-Fi hot spots and domain names and monthly payments for Mr. and Ms. Li’s cellphone bills to Verizon, according to the records, Liang’s emails and people familiar with the events.
Mr. Li teaches that diligently practicing his meditation exercises and reading his texts keeps the body healthy by purging the bad karma that causes illness. So Liang’s mother did not see a doctor when she began losing weight and becoming increasingly haggard around 2018.
By the fall of 2019, she was 66 years old and down to 70 pounds. Shocked at her appearance during a video call, her family finally persuaded her to get medical care.
The diagnosis was dire: kidney cancer that had spread through her body, leaving her with small odds of survival and tens of thousands of dollars in expected medical costs. She told Liang and his sister that she would not be able to pay for any of it.
“My mom revealed that all her money is gone, donated to the mountain,” Liang emailed his friends on Oct. 15, 2019. “Hundreds of thousands of dollars.”
As their mother was slipping away, Liang and his sister got another shock. An employee in the Shen Yun office accidentally mailed them a statement for their mother’s credit card, which showed charges from Saks Fifth Avenue and other shops. They reviewed more statements and discovered that her accounts had been used to buy tens of thousands of dollars in luxury items, apparently for Mr. Li and his wife.
The statements showed a $13,029.70 charge from the Watch Gallery in London and $10,000 for virgin wool suits and other clothing from Hugo Boss. They showed $2,045.31 in purchases at the luxury retailer Hermès in Austria and another $1,091.99 at the jewelry house Van Cleef & Arpels in Switzerland.
They showed thousands more spent on seafood and custom billiard cues — Mr. Li is an avid pool player — and assorted charges from high-end brands including Ferragamo and Tiffany & Company. Ms. Li appeared to have personally used his mother’s credit card, Liang wrote to his friends in an email.
Many of the charges were made in 2018 and 2019, as Liang’s mother’s health was failing, records show.
Within weeks of seeing a doctor, Liang’s mother was dead.
Afterward, a portion of the money was repaid to her family, people familiar with the events said, though the source of the repayment was not clear.
Shen Yun’s spokeswoman, Ms. Chen, said The Times’s account of these events was “inaccurate and misleading in numerous respects.” She said the details were subject to a confidentiality agreement, which she called “a carefully negotiated resolution of a misunderstanding.”
The experience left Liang convinced that the movement was preying on people like his mother, who gave willingly in hopes of receiving a heavenly reward.
“For the first time in my life, I’m seeing things as how they truly are,” he wrote in one of his emails. “I’m not going to let this happen to anyone that I care about ever again.”
Envelopes of Cash
To track the flow of money into Shen Yun, The Times reviewed more than 15 years’ worth of tax filings for the main nonprofit and dozens of its satellite organizations.
Reporters also examined hundreds of pagesof internal Shen Yun-related records and communications and interviewed people with knowledge of the organization’s financial dealings, including some who were directly involved in organizing shows.
The dance group and a school that trains its performers received about $16 million from The Epoch Times, the right-leaning news organization founded by followers of Mr. Li, during a period when federal prosecutors said the news outlet’s accounts were inflated by the proceeds of a money-laundering scheme.
Prosecutors charged The Epoch Times’s chief financial officer, Bill Guan, and an employee in Vietnam with conspiracy to launder at least $67 million using cryptocurrency in a scheme that involved identity theft and prepaid bank cards. Mr. Guan has pleaded not guilty.
The Epoch Times has said in public statements that it would cooperate with the investigation and that Mr. Guan had been suspended. It has also said that the accusations against Mr. Guan run counter to the publisher’s standards and to the principles of Falun Gong.
Shen Yun’s supporters found another source of income when the pandemic swept the world in 2020, causing venues to close and putting a strain on the performing arts industry.
They did it in part by exploiting a loophole in a federal pandemic relief program launched to keep struggling arts programs afloat. The program was designed to award no more than $10 million in grant funding either to any one group or up to five “affiliated” organizations, with rules that were meant to ensure no single entity got a disproportionate share of the aid.
Shen Yun’s satellite nonprofits were all run by ardent followers of Mr. Li, many of whom had staged Shen Yun shows in their cities and sent money back to the dance group for years. But on paper, none of the groups shared board members or were formally related to Shen Yun or to one another, and so they were allowed to tap the federal well without limitation, The Times found.
In all, at least 25 of the satellite groups applied to the so-called Shuttered Venue Operations Grant program and received a combined $48 million, records show. Shen Yun, despite not performing for most of 2020 and 2021, reported a surge in assets in those years of $50 million.
Meredith Lynsey Schade, a theatrical producer who worked with other applicants that sometimes struggled to get aid, called Shen Yun’s approach unethical.
“There are so many organizations that went under because they couldn’t pass the threshold,” she said. “Instead, one organization is hoarding all of this money.”
And then there were the practitioners who sneaked wads of cash into the United States at the dance group’s direction.
Three former Shen Yun performers told The Times that they ferried money through customs without disclosing it. Their accounts bore some similarities to a 2009 incident in which a practitioner was charged by federal prosecutors with smuggling more than $100,000 in cash, some wrapped in tinfoil, through customs at Kennedy International Airport. (A lawyer for Falun Gong later convinced prosecutors to drop the case.)
In 2015, the night before flying back to New York from Barcelona, the performers were each handed a white envelope stuffed with $100 bills.
They were instructed to keep it in their carry-on bags but to separate it. One performer, then a teenager, recalled getting $10,000 — the maximum a person can carry in without reporting it under laws meant to combat money laundering and other crimes. The performer put some of the money in a diary and recalled feeling like a character in a spy movie.
“They said it was very important money,” said the performer, who spoke on condition of anonymity. A manager instructed: “Don’t let other people know that you have this.”
Sun Zan, another performer who carried cash, said he had to surrender his envelope to Shen Yun staff on the bus after the flight. One performer was chastised for leaving the money in a bag that could not be reached right away, he said.
Mr. Sun did not think much of the episode because he had often been paid in cash for dancing, he said, though there was one key difference.
The envelope he brought home from Barcelona held about half of what he earned from Shen Yun in an entire year.
Susan C. Beachy and Sheelagh McNeill contributed research. Peiyue Wu contributed reporting.
Michael Rothfeld is an investigative reporter in New York, writing in-depth stories focused on the city’s government, business and personalities. More about Michael Rothfeld